Reviews
His music is fearless and cathartic. |
— John Doll, JazzReview.com |
The bassist Mario Pavone works his strings with the force and persistence of a sculptor chipping away at granite. The sheer dynamism of his playing is matched by the lustre of his writing and arranging for small bands. |
— The New Yorker |
Bassist/composer/bandleader Mario Pavone has a stellar reputation among fans of avant-garde jazz, particularly given his years as bassist for the Thomas Chapin Trio. But Pavone's agreeable music should hold appeal for listeners of both inside and outside persuasions, from those enamored of hard bop and post-bop through to those favoring more open-ended styles of jazz exploration. |
— Dave Lynch, All Music Guide |
Pavone's units are lean outfits built for dancing fast and scrimmaging hard. |
— Steve Smith, Time Out-New York |
Pavone's pieces are masterful examples of group interplay, rooted in a compelling union of smarts and intuition, predetermined and ephemeral forms. At the heart of things is an extraordinary pulse—sometimes swinging, sometimes grinding and sometimes sliced into pieces...it's loose and immensely disciplined. |
— Greg Buium, DownBeat |
Pavone's compositions are unconventional in that the bass is the axis upon which all roates, with his thick, yet quirky bass lines instigating the others…what makes them so compelling is the spontaneity, despite the written lines, and the high-caliber soloists who consistently provide substance for interested ears. |
— Jay Collins, Cadence |
Pavone spurs these fine musicians to play beyond themselves. The music that pours forth is both joyous and serious, abrasive and complex, yet entirely inviting. |
— David R. Adler, All Music Guide |
Pavone may be over 60 years old but his music retains a youthful zeal. He continues to search for ways to express and expand his sound and to create sonic landscapes that allow his fellow musicians to develop their own voices. |
— Richard Kamins, Hartford Courant |
Pavone's playing, especially on "Second-Term Blues" is razor sharp and will surely draw the rapt attention of any bass lover. |
— Matthew Miller, AllAboutJazz-New York |
Pavone's inside/outside aesthetic embraces the expressive potential of free jazz without sacrificing the accessible qualities of hard bop. A commanding bassist and an astute composer, his writing employs a variety of advanced techniques, including shifting rhythms, oscillating tempos and variable dynamics. |
— Troy Collins, AllAboutJazz.com |
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Discography
Chrome |
Mario Pavone / Dialect Trio |
08.27.2017 |
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Street Songs |
Mario Pavone |
05.06.2014 |
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Arc Trio |
Mario Pavone |
09.17.2013 |
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Arc Suite T/Pi T/Po |
Mario Pavone Orange Double Tenor |
11.09.2010 |
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Ancestors |
Mario Pavone |
11.04.2008 |
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Trio Arc |
Mario Pavone |
06.01.2008 |
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Ride |
Thomas Chapin Trio |
06.27.2006 |
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Deez to Blues |
Mario Pavone |
03.21.2006 |
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Boom |
Mario Pavone Quartet |
09.07.2004 |
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Orange |
Mario Pavone Nu Trio/Quintet |
10.14.2003 |
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Pivot |
Michael Musillami/Mario Pavone Quintet |
12.03.2002 |
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Mythos |
Mario Pavone Nu Trio/Quintet |
04.19.2002 |
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Trio |
Michael Pavone |
11.15.2001 |
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Op-Ed |
Mario Pavone/Michael Musillami Quartet |
07.22.2001 |
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Motion Poetry |
Mario Pavone/Michael Musillami Quartet |
05.01.2001 |
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Sharpeville |
Mario Pavone |
04.12.2000 |
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